Bio

duoAccosphere

The exceptional international accordion duo was established in 2011 by Alena Budziňáková and Grzegorz Palus – artists united by a shared passion and a commitment to promoting classical accordion music. Their artistic activity reflects a shared understanding of the world and music, enriched by the unique personalities of both musicians – outstanding representatives of Polish and Slovak accordion artistry. 

The ensemble’s quality and reputation are evidenced by the musicians’ outstanding international education and the breadth of their individual experiences, including numerous solo achievements. Another asset of the ensemble is the combination of two masterfully played types of contemporary classical accordion – keyboard and button instruments. All these elements have contributed to the development of the duo’s distinctive style, which has made it one of the leading accordion chamber music ensembles in the world.

The ensemble has won awards in national and international competitions, including first prizes at accordion festivals in Pula (Croatia, 2012), Sanok (2012), Mława (2012), and Chełm (2011). It has also been a five-time laureate of the prestigious “Musical Eagles” International Competition, receiving two gold (2022, 2024), two silver (2023, 2024), and one bronze (2024) diploma for outstanding artistic achievements in multiple categories.

Alena Budziňáková and Grzegorz Palus move with virtuosity across a highly diverse repertoire. They perform both original transcriptions of music from the Baroque to the 20th century and world premieres of experimental contemporary works. The ensemble’s discography includes albums released by Chopin University Press, DUX, Sarton Records, and SPMK Records. These often feature premiere recordings of contemporary compositions, commissioned works, and original, surprising arrangements of well-known pieces, including Tchaikovsky’s Nutcracker Suite, Maurice Ravel’s Suite “Mother Goose” (“Fairy Tale Stories”), as well as double concertos by Johann Sebastian Bach (“New Double Accordion Concertos by Johann Sebastian Bach”) and Saint-Saëns’ “Carnival of the Animals” (“Panta Rhei”) with orchestral accompaniment. The ensemble has also recorded extensively for radio, including regional branches of Polskie Radio and the German WDR3 station.

duoAccosphere has performed over 200 concerts in Poland and abroad, including Austria, Bosnia and Herzegovina, China, Czechia, Denmark, Lithuania, Germany, Slovakia, Ukraine, and Italy. The artists have appeared on prestigious stages such as the Berlin Philharmonic Chamber Music Hall, Konzerthaus Detmold, WDR3 Radio in Cologne, Tonhalle Düsseldorf, Arithmeum Bonn, Odessa Philharmonic, Karol Szymanowski Philharmonic in Kraków, Oskar Kolberg Philharmonic in Kielce, Gorzów Philharmonic, Krzysztof Penderecki European Centre for Music in Lusławice, Karol Szymanowski Museum “Willa Atma” in Zakopane, and the National Centre for the Performing Arts in Beijing. They also regularly participate in prominent accordion, baroque, chamber, and contemporary music festivals, including Premio Internazionale della Fisarmonica in Castelfidardo, Vilnius Accordion Festival, Goldberg Festival, Gliwice Bach Festival, International Emanations Festival, Festival Wawel at Dusk in Kraków, Festival Music at the Heights in Zakopane, and Two Days and Two Nights of New Music in Odessa.

Performances with orchestras are a key aspect of the duo’s activity. They have appeared as soloists with the Cracow Philharmonic Orchestra (2014), the PhilHARMONIKA PANtonale Festival Orchestra in Berlin (2018), Przemyśl Chamber Orchestra (2018), Polish Art Philharmonic (2023), Orchestra Filarmonica della Calabria (2023), Kielce Philharmonic Orchestra (2024), and Gorzów Philharmonic Orchestra (2025).

The duo initiates new chamber projects, often introducing innovative repertoire ideas. Collaborations include the Airis String Quartet, LLLeggiero Woodwind Trio (“New Reed Quintet”), the string quintet of the early music orchestra Capella Cracoviensis (“New Double Accordion Concertos”), and a bass clarinet duo formed by Michał Górczyński and Julian Paprocki. Together with percussionist Marianna Bednarska, they created the Triangulum Ensemble, exploring the sonic potential of accordion and percussion combinations. The musicians also perform in the New Accordion Quintet with Wiesław Ochwat, Mateusz Dudek, and Maciej Zima, as well as in numerous projects with organist Wacław Golonka and other instrumentalists and vocalists.

duoAccosphere regularly collaborates with both Polish and international composers. Their commissions include concertos for two accordions and orchestra by Anna Sowa, Bartosz Kowalski, and Wojciech Ziemowit Zych. In addition, chamber works for the duo have been composed by Miłosz Bembinow, Agnieszka Ignatowicz-Glińska, Sven-Ingo Koch, Katarzyna Krzewińska, Maciej Jabłoński, Peter Machajdík, Grzegorz Majka, Wołodymyr Runczak, Jan Sanejko, Renāte Stivriņa, Wojciech Widłak, Tyler Versluis, and Maciej Zimka.

Alena Budziňáková

Alena Budziňáková-Palus comes from Slovakia and has been living and working permanently in Poland since 2009. She is among the leading accordionists, pursuing an active international career as a soloist, chamber musician, and orchestral performer. Her interpretations combine emotional charm and sensitivity with vibrant, energetic expression, covering a repertoire from Baroque to contemporary music.

She studied at the Conservatory in Košice (Slovakia), the Academy of Music in Kraków, Wien Privatuniversität (Austria), and Hochschule für Musik Detmold (Germany), where she earned her Konzertexamen with distinction under Professor Grzegorz Stopa. In 2023, she obtained a Doctor of Arts degree from the Stanisław Moniuszko Academy of Music in Gdańsk.

Alena is a laureate of numerous international competitions, including first prizes in Pula (Croatia, 2012), Poprad (Slovakia, 2010), and Dunajská Streda (Slovakia, 2010). She has been honored five times at the International Competition “Musical Eagles” for outstanding artistic achievements (gold: 2022, 2024; silver: 2023, 2024; bronze: 2024).

Her discography includes several solo and chamber albums released by Chopin University Press, DUX, Sarton Records, and SPMK Records, as well as radio and television recordings for Polish Radio Rzeszów, Slovak Radio and Television, Radio Devín, and German WDR3.

She performs extensively in Poland, Slovakia, and across Europe and Asia, including Austria, Bosnia and Herzegovina, Belgium, Czechia, China, Denmark, Finland, Lithuania, Luxembourg, Germany, Hungary, and Italy. She has appeared on prestigious stages such as the National Philharmonic in Warsaw, Berlin Philharmonic, Odessa Philharmonic, Košice Philharmonic, Tonhalle Düsseldorf, Krzysztof Penderecki European Centre for Music in Lusławice, the European Parliament in Brussels, Central Conservatory, and the National Centre for the Performing Arts in Beijing.

In 2019, she premiered a concerto dedicated to her by Peter Machajdík with the Nordwestdeutsche Philharmonie at Konzerthaus Detmold (Germany). She has also performed with the Cracow Philharmonic, Świętokrzyska Philharmonic, Gorzów Philharmonic, Przemyśl Chamber Orchestra, Polish Art Philharmonic, PhilHARMONIKA PANtonale Festival Orchestra (Germany), and Orchestra Filarmonica della Calabria (Italy).

As a member of the chamber project “Female Forms,” she appeared twice at the Warsaw Autumn International Festival of Contemporary Music (2020, 2021) and at the Sacrum Profanum Festival in Kraków (2020). She also performs at prestigious international accordion festivals in Castelfidardo (Italy), Kyiv (Ukraine), Poprad (Slovakia), Przemyśl, Ugljevik (Bosnia and Herzegovina), and Vilnius (Lithuania).

Alena actively collaborates with composers, premiering works by Miłosz Bembinow, Nina Fukuoka, Agnieszka Ignatowicz-Glińska, Maciej Jabłoński, Sven Ingo Koch, Martyna Kosecka, Katarzyna Krzewińska, Peter Machajdík, Kira Maidenberg-Todorova, Grzegorz Majka, Paweł Malinowski, David John Roche, Teoniki Rożynek, Wołodymyr Runczak, Żaneta Rydzewska, Renāte Stivriņa, Anna Sowa, Marta Śniady, Paweł Sotomski, Monika Szpyrka, Tyler Versluis, Maciej Zimka, and Wojciech Ziemowit Zych.

She is also an active pedagogue, teaching accordion at the Oskar Kolberg Music School in Radom and leading masterclasses and workshops in Poland and abroad, including at the Krzysztof Penderecki European Centre for Music in Lusławice, Kaszub Accordion Workshops in Wejherowo, Beskid Accordion Workshops, Kraków Accordion Festival, and Palanga Festival in Lithuania. Her students have won numerous national competition awards, and she regularly serves on juries of accordion competitions nationally and internationally.

Grzegorz Palus

Grzegorz Palus is one of the most prominent Polish accordionists. He specializes in classical music across a wide stylistic spectrum and is active in teaching – since 2016 he has been a lecturer at the Fryderyk Chopin University of Music in Warsaw. His distinctive artistic style has been shaped by international education and extensive experience as a soloist and chamber musician.

He graduated from The Royal Danish Academy of Music in Copenhagen (Master of Music, class of Geir Draugsvoll), Hochschule für Musik Detmold (Konzertexamen, class of Grzegorz Stopa), and the Academy of Music in Kraków (Bachelor’s and Master’s studies in Janusz Pater’s class). In 2018 he earned a PhD, and in 2023 he received the degree of habilitated doctor of music.

Palus has won dozens of awards in national and international competitions, including the Grand Prix in Poprad (2007), first prize in Pula (2012), and a special prize in Arrasate (2010). He has also been recognized in professional categories at major national competitions, including Czechowice-Dziedzice, Gorlice, Gdańsk, Mława, Przemyśl, Sanok, and Szczecin. He was a five-time laureate of the prestigious “Musical Eagles” International Competition for outstanding artistic achievements (gold diplomas: 2022, 2024; silver: 2023, 2024; bronze: 2024). Additionally, he has received numerous scholarships from the Polish Ministry of Culture, the Mayor of Kraków, and the “Młoda Polska” and “Sapere Auso” programs.

He has recorded several solo and chamber albums released by Chopin University Press, DUX, Sarton Records, and SPMK Records, and has also produced radio recordings for Polskie Radio and Germany’s WDR3. He performs regularly in Poland and abroad, including Austria, China, Czechia, Denmark, Lithuania, Germany, Slovakia, Ukraine, USA, and Italy. His performances have taken place on prestigious stages such as the National Philharmonic in Warsaw, Berlin Philharmonic Chamber Music Hall, Konzerthaus Detmold, Tonhalle Düsseldorf, the Grand Theatre – National Opera in Warsaw, the National Centre for the Performing Arts in Beijing, and the Krzysztof Penderecki European Centre for Music in Lusławice.

He has frequently performed as a soloist with orchestras, including the Cracow Philharmonic, Kielce Philharmonic, Gorzów Philharmonic, Przemyśl Chamber Orchestra, Polish Art Philharmonic, Orchestra Filarmonica della Calabria, and the PhilHARMONIKA PANtonale Festival Orchestra in Berlin. He has also taken part in chamber projects with the Beethoven Academy Orchestra, Kraków Philharmonic Orchestra, Juliusz Słowacki Theatre Orchestra, Modern Symphony Orchestra, and Die Reihe Orchestra (Austria).

Palus has premiered over fifty works by Polish and international composers, including Miłosz Bembinow, Anna Ignatowicz-Glińska, Maciej Jabłoński, Bartosz Kowalski, Katarzyna Krzewińska, Jan Sanejko, Mikołaj Majkusiak, Dariusz Przybylski, Wojciech Kostrzewa, Sven-Ingo Koch, Peter Machajdík, Wołodymyr Runczak, Anna Sowa, Wojciech Widłak, Tyler Versluis, Ignacy Zalewski, and Wojciech Ziemowit Zych.

He is regularly invited to conduct masterclasses and workshops in Poland and abroad, including at the Krzysztof Penderecki European Centre for Music in Lusławice, Beskid Accordion Workshops, Palanga Festival, the Royal Danish Academy of Music, and the Lithuanian Academy of Music and Theatre in Vilnius. His students have won numerous awards, and he frequently serves as a juror in national and international competitions (Bosnia and Herzegovina, Czechia).